Abbey, Co. Roscommon
Screenprinting by
Screenprinting has never been so popular and the water-based process is the best way to do it. This practical and inspirational resource book explains and describes methods and materials that replace traditional toxic screenprinting systems. It is the modern option: safer, healthier, and more environmentally friendly, as well as quick to learn and accessible to all. Whether you wish to print using photo stencils, paper stencils, or screen filler stencils, with opaque, translucent, metallic, pearlescent, or iridescent paints, on delicate Japanese paper, handmade bark paper, fabric, metal, or PVC, renowned practitioners and art educators Robert Adam and Carol Robertson show you how to do it. The book covers every stage of the printing process and opens up new areas of creative possibilities, whether printing small editions or works for large-scale installations. From choosing which materials to use and how to use them, through setting up and equipping your own water-based screenprinting studio, to collating and presenting your finished prints, this comprehensive reference bookcomplete with glossary and list of international suppliers is the only resource you'll ever need.
Pulled by
Popularized in the 1960s by Pop artists such as Andy Warhol, screen printing remains a favorite of artists due to its remarkable versatility and relatively low cost. In Pulled, best-selling author Mike Perry (Hand Job, Over and Over) collects the work of more than forty of today's most talented designers who are, in their own way, pushing the boundaries of this dynamic medium.
Silk Screen Techniques by
Barely a century old, silk screen printing or serigraphy has been adopted as a commercial and an artistic process by thousands of enthusiastic professional and amateur crafters throughout the world. In this volume, one of silkscreen's foremost teachers and practitioners explains the entire process from the construction of the frame to the moment of printing your first impression. You are shown how to select or assemble every piece of equipment needed: the frame that holds the silk, the fabric and its attachment to the frame, the base on which the print will rest, stencil knives, guides, the squeegee that forces the paint through the silk, drying racks, and other items. All five of the most general and useful techniques with respect to stencils are described: the paper stencil method, the block-out method, the Tusche stencil method, the film stencil method, and the photographic stencil method. Step-by-step instructions detail each technique. Chapters on multi-color silkscreening and color matching and blending make it possible for anyone to produce fine, well-registered prints. In fact, you can use this book as a complete-to-the-last-detail home course for almost every facet of this important modern art form. A special section covers common difficulties and shows you how to reduce or eliminate them. Ninety-six detailed figures cover every step in the process, and 45 plates illustrate work by such renowned artists as Philip Hicken, Harry Schokler, W. Colescott, Riva Helfond, Anthony Velonis, Amelia Hammer, Ray Euffa, and many others who have exhibited at the National Serigraph Society and the Metropolitan Museum of Art.
The Complete Book of Silk Screen Printing Production by
Extremely thorough coverage of practically everything of importance known about the silk screen process. Brief history, plus detailed information on basic tools and equipment, stencil making and photo stencil methods, multicolor work, facts about paints, lacquers and other compounds, and tips on mixing and matching colors. 124 figures.
